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Fiction Writing Prompt: Elephant in the Room

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Let’s talk about the metaphorical elephant in the room. When it’s ​there, everyone is aware of it. The subject has our attention, yet ​it often goes unmentioned because discussion is uncomfortable. ​Moments of discomfort and avoidance are common in life, so ​they should be common in writing. Make that your mission for ​today’s fiction writing prompt.

THE PROMPT

This short writing exercise could fit into your existing imagined ​universe if you’re working on something that feels stuck, or it can ​exist as a stand-alone activity with characters and a scene that ​you never return to. The point is practice, not perfection.


Let’s just say 2-3 characters in close proximity with a large and ​unaddressed conflict between them.

Here’s the Challenge:

For this activity, the elephant in the room cannot be directly mentioned. This prompt is about engaging ​avoidance and discomfort, not antagonism and bickering. How do your characters act when they cannot ​acknowledge the thing that is clearly on all of their minds? If that’s all the nudge you need to get writing, go ​for it. If not, keep reading.

What kind of conflict are you interested in?

At least give this a vague direction. Is it political? religious? cultural? romantic? familial? moral? logical? ​Something else entirely? Try not to over-think what kind of conflict you choose, just choose.

What is each character feeling?

It can be incredibly helpful to explicitly name which emotions our ​characters are feeling. This should be done with complexity, not ​just reduction to a simple word like “fear.” Humans rarely feel just ​one thing at a time. And they are rarely feeling the exact same way ​as others going through similar circumstances. Here are some ​examples:


  • Character A is feeling guilty. It’s a heavy, low, depressive guilt.
  • Character B also feels guilty but with hot anger at themself.
  • Character C also feels guilty but with underlying feelings of ​justice or stubborn rebellion.

How does emotion translate into action?

Was it super entertaining to read the above emotion breakdowns for each character? Probably not, because ​it’s giving information, not telling a story. For this part of the prompt, consider how each individual would act ​because of the emotions they’re feeling, and how that might become clear to a reader through description, ​rather than exposition. To continue with those same examples:


  • Character A might be more likely to cry, zone out, or seek privacy.
  • Character B might be flushed, more likely to knock something over with haste or overcorrect in action.
  • Character C might seem fine on the surface, or more likely to say something harsh without thinking.



Once you’ve got a rough roadmap, get writing!

If you use this prompt, please let us know how it goes.

Thanks for reading.

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